Volume IV;
The Delirious Org
Curated by Molly Stephenson & Iona Mackenzie
Seda Yakupoğlu / Masha Silchenko / Freda Drakopoulos / Sara Andreasson / aec3 / Ana Balan / Josephine Mead / Iona Mackenzie / Seth Searle / Charlie Robert / Sara French / Jimena Poblano / Molly Stephenson
Seda Yakupoğlu
Moon Snail
Digital collage
41 x 27
2020
Sara French
Floating on fire
Newspaper, paper, clock motor, video
2020
Charlie Robert
Untitled
Oil & acrylic on canvas
16" x 20"
2020
Iona Mackenzie
Liminal
Digital graphic
2020
Jimena Poblano
Dreams of Fluid Materiality
Oil on canvas
56" x 46"
2020
Sara Andreasson
Pointer Piece
Plaster, paint, print
45 x 38 cm (approx.)
2020
Ana Balan
2020
(From left to right)
You always had the Key
Crayon on A4 paper
Conversation
Crayon on A4 paper
The Girl in Stone
crayon on A4 paper
Sara Andreasson
Dune, Grassland, Wasteland, Soil
Air drying clay, paint, puzzle pieces, sand, putty, sawdust
19 x 35 cm
2020
Josephine Mead
Painting oneself into future undulations
Digital collage
2020
Molly Stephenson
The Boudoir Laboratory
Materials variable
2020
Photography by Adam O'Sullivan
Freda Drakopoulos
Inside your flowers
Digital collage
2020
Click the above image to view the full series
Sara Andreasson
Tell Us
Paper, pencil, twigs, folders & wire
A4
2020
Sara Andreasson
Dune, Grassland, Wasteland, Soil
Air drying clay, paint, puzzle pieces, sand, putty, sawdust
19 x 35 cm
2020
Molly Stephenson
A vestige of magical performance
Wood, fabric, ceramic, glaze, staples, paper, pencil, fimo clay, wax, ribbon, tea candles
2020
Photography by Adam O'Sullivan
Sara Andreasson
Pointer Piece
Plaster, paint, print
45 x 38 cm (approx.)
2020
Every morning I try to run to the waterfall and to wash my face with it’s water. My grandmother told me to do so, she said it purifies and gives you a divine energy, also takes the sorrows away. My sorrows didn’t go away, but it makes me feel connected with this place. Here waterfalls are considered as a living force, temples are often built next to them.
After going to the onsen in the evening I pass by the park to see the waterfall again in the dark, the sound is so strong in the night when there are no other sounds. A lantern illuminates green plants growing on the rocks and strong foamy flows of water.
There’s a legend about Jorogumo, a woman-spider, a mistress of the waterfall. Once a woodcutter met a beautiful girl at the waterfall and fell in love. He started to visit her every day, but was becoming weaker and weaker. A priest from a temple of the village was suspecting that the woodcutter was enchanted by a Jorogumo, the mistress of the waterfall, so once he accompanied him to sing the sacred texts and try to save the woodcutter. When the woodcutter stood next to the water, a spider thread went out of the waterfall and reached the woodcutter, at this moment the priest let out a yell that made the thread disappear. When the woodcutter understood that the woman was a ghost Jorogumo, he still persisted and tried to get a permission for a marriage from the local tengu (the spirit of the mountain and forest). When tengu refused his request, he ran to the waterfall where he was entangled in the spiderweb and disappeared.
Masha Silchenko
A Waterfall painting
Oil & coloured pencils on canvas
47 x 51 cm
2020
Seth Searle
Riches I
Oil on canvas
40 x 50 cm
2020
Iona Mackenzie
Death of the Sword
Polymer clay & bandages
2020
Masha Silchenko
Untitled
Oil & pencil on canvas
40 x 27 cm
2020
Masha Silchenko
Daisies Connections
Ceramic
2020
Aec3
It could be a bouquet
Digital print
2020