Volume VI;
Eco-appetites
Curated by Molly Stephenson & Iona Mackenzie
Bianka Chladek / Rosie Brand / Kati Kirsch / Marie Biaudet / Klara Jakes / Anna Fiedler / Victoria Jost / Zsófia Jakab / Aina Monzó / Anna Schwann / Charlie Kerekes / Volkan Dinçer / Ioana Mincu Malina
Ioana Mincu Malina
Untitled
Ceramic
20cm x 25cm
2020
Kati Kirsch
Haunted Car Wash
Oil on wood panel
12″ x 12″
2020
Ioana Mincu Malina
Photograph of various ceramic works
2020
Zsófia Jakab
Unfinished Metamorphosis
Video
2020
Music: Dychana by Księżyc
My current research and art practice focuses particularly on skin & the experience of being inside one’s body. I’m trying to develop my practice in order to create anthropomorphic structures that share elements of the human body (form, bones, skin) whilst being something else; using solid structures and ethereal organic components. I’ve also recently begun experimenting with bioplastics and bacterial cellulose in order to produce visceral, skin-like materials, in order to explore our physical boundaries and relationships with other organisms. I’m particularly interested in the relationship between human and fungi, as “human similarity to fungi makes our bodies vulnerable to them, not in a conceptual way but physically, pathologically. It is the same with other animals, even more so: as soon as you allow yourself to be made of the same stuff, you have to relinquish your own priority. You become vulnerable.” (Daisy Hildyard The Second Body (2017), Fitzcarraldo Editions, London, p.81)
Charlie Kerekes
Welcome to My Flower Party
Wire & air-dry clay
22cm - 24cm
2020
Volkan Dinçer
Honeycomb Glimpses
Mixed media kinetic sculpture
14″ x 9″ x 1.9″
2020
Victoria Jost
I was named to dream for others
Video
2020
Anna Fiedler
Morning Dew
Acrylic, cotton & oak
87cm x 53cm
2020
Klara Jakes
Rotten Sweetness (detail)
Sugar on plaster
2020
Ioana Mincu Malina
Enchanted Root
Ceramic
15cm x 20cm
2020
Ioana Mincu Malina
Dream Castle
Plaster & pastels
50cm x 100cm
2020
Ioana Mincu Malina
Untitled
Ceramic
20cm x 30cm
2020
Aina Monzó
Laboria's Apartment (detail)
Bread dough & salt
30cm x 35cm x 37cm
2020
‘Openings’ is an impermanent series of sculptures that was installed downstream of Tokopah Falls, September 2020. I acknowledge Tokopah Falls to be in the unceded lands of the Yokuts Tribe.
My partner and I drove north from LA to camp in Sequoia National Park in September 2020. It was the beginning of a chaotic extended wildfire season. Thick grey smog lay heavy above us. I had brought with me a selection of ceramic beads and sculptural fragments from my studio. We camped in the pines at the foot of a stream cascading over large slabs of granite, pooling in worn blue peanuts. As the sun rose over the quiet campsite, I headed to the stream with my camera and ‘box of bones’ (as later described by a neighboring camper). I collected smoothed pine branches from the edges of the stream, and tufts of wolf lichen that specked the forest floor along my way. In the brightening morning light, the granite appeared ice blue. I collaged together my bones and the body of the mountain, it was play. Later when I looked back at the photos, I thought it seemed as if the rock had shifted, revealing an opening between their planes, lined in lime lichen.
Rosie Brand
Opening
Ceramic, wolf lichen & granite
2020
Anna Schwann
Breathing Hot Air from a Hairdryer
Video
2020
Volkan Dinçer
Nautilus Glimpses
Mixed media kinetic sculpture
8″ x 4.7″ x 4.7″
2020
Charlie Kerekes
Welcome to My Flower Party (detail)
Wire & air-dry clay
22cm - 24cm
2020
Ioana Mincu Malina
The Four Elements
Ceramic frame & mirror
25cm x 20cm
2020
Victoria Jost
I was named to dream for others
Video installation (projector, fabric, glue, broom handle)
2020
My dearest enemy. No layer of this rotten sweetness could cover up my feeling for you. In this hateful destiny lies far more love than most will ever experience. The cares of our and all other possibly existing friendships divided the world between good and evil.
My dearest enemy. It is a long forgotten memory that the two of us used to be one. And the fact that we remain still is just a quiet echo in between those small crystals of sugar sticking to the blade that entered our bodies.
Klara Jakes
Rotten Sweetness (detail)
Sugar on plaster
2020
Ioana Mincu Malina
Bonds
Ceramic
10cm
2020
Kati Kirsch
Psychogenic Fugue State
Spray paint, real butterfly wings, oil paint, canvas & wood
29″ x 20″ x 1″
2020
Marie Biaudet
Biting Slack
Dry watercolor on paper
21cm x 15cm
2020
Klara Jakes
Rotten Sweetness
Sugar on plaster
2020
Bianka Chladek
Sickie Tells It All
Polyethylene foam & eyeshadow pigment
35cm x 25cm x 13cm
2020
Zsófia Jakab
Skin Fragments (excerpt)
Edited photograph
2020
Sickie, tell it all!
when you got into a brawl with the void
how could you not fall inside
and stay above
kicking
as if someone did you wrong
Did she nod at you
when you passed her by
now her back is all you see
when you close your eyes
and you still gasp
when it enters through
a little smudge
underneath
gawking at you
Marie Biaudet
Stingering Vases
Stoneware
15cm x 20cm
2020
Marie Biaudet
Biting Slack
Dry watercolor on paper
21cm x 15cm
2020
In those surrealistic landscapes where humans are missing, shapes research their self-government. The soil, flesh-colored, seems almost to be the main character. A prickly world where barren ground takes offense and becomes aggressive in order to survive. Vegetable shapes try to bounce back, and sometimes sculptural forms are born, barely knowing if they are alive or statufied. The atmosphere transformed, making elements float, like little planets or spheres waiting to hatch out.
Rosie Brand
Inverse Opening
Ceramic, wolf lichen & granite
2020
Aina Monzó
Laboria's Apartment (detail)
Bread dough & salt
30cm x 35cm x 37cm
2020
Kati Kirsch
Psychogenic Fugue State (detail)
Spray paint, real butterfly wings, oil paint, canvas & wood
29″ x 20″ x 1″
2020
Anna Fiedler
Evergreen
Acrylic, cotton & oak
84cm x 54cm
2020
Ioana Mincu Malina
Stop Motion
Video containing mixed media
2020