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Volume VI;

Eco-appetites

Curated by Molly Stephenson & Iona Mackenzie

Bianka Chladek / Rosie Brand / Kati Kirsch / Marie Biaudet / Klara Jakes / Anna Fiedler / Victoria Jost / Zsófia Jakab / Aina Monzó / Anna Schwann / Charlie Kerekes / Volkan Dinçer / Ioana Mincu Malina

Ioana Mincu Malina

Ioana Mincu Malina

Untitled

Ceramic

20cm x 25cm

2020

Kati Kirsch

Kati Kirsch

Haunted Car Wash

Oil on wood panel

12″ x 12″

2020

Ioana Mincu Malina

Ioana Mincu Malina

Photograph of various ceramic works

2020

Zsófia Jakab

Unfinished Metamorphosis

Video

2020

Music: Dychana by Księżyc

Unfinished Metamorphosis
Play Video

My current research and art practice focuses particularly on skin & the experience of being inside one’s body. I’m trying to develop my practice in order to create anthropomorphic structures that share elements of the human body (form, bones, skin) whilst being something else; using solid structures and ethereal organic components. I’ve also recently begun experimenting with bioplastics and bacterial cellulose in order to produce visceral, skin-like materials, in order to explore our physical boundaries and relationships with other organisms. I’m particularly interested in the relationship between human and fungi, as “human similarity to fungi makes our bodies vulnerable to them, not in a conceptual way but physically, pathologically. It is the same with other animals, even more so: as soon as you allow yourself to be made of the same stuff, you have to relinquish your own priority. You become vulnerable.” (Daisy Hildyard The Second Body (2017), Fitzcarraldo Editions, London, p.81)

Charlie Kerekes

Charlie Kerekes

Welcome to My Flower Party

Wire & air-dry clay

22cm - 24cm

2020

Volkan Dinçer

Volkan Dinçer

Honeycomb Glimpses

Mixed media kinetic sculpture

14″ x 9″ x 1.9″

2020

Victoria Jost

I was named to dream for others

Video

2020

Anna Fiedler

Morning Dew

Acrylic, cotton & oak

87cm x 53cm

2020

Klara Jakes
Ioana Mincu Malina
Anna Fiedler

Klara Jakes

Rotten Sweetness (detail)

Sugar on plaster

2020

Ioana Mincu Malina

Enchanted Root

Ceramic

15cm x 20cm

2020

Aina Monzó
Ioana Mincu Malina
Ioana Mincu Malina

Ioana Mincu Malina

Dream Castle

Plaster & pastels

50cm x 100cm

2020

Ioana Mincu Malina

Untitled

Ceramic

20cm x 30cm

2020

Aina Monzó

Laboria's Apartment (detail)

Bread dough & salt

30cm x 35cm x 37cm

2020

‘Openings’ is an impermanent series of sculptures that was installed downstream of Tokopah Falls, September 2020. I acknowledge Tokopah Falls to be in the unceded lands of the Yokuts Tribe. 

 

My partner and I drove north from LA to camp in Sequoia National Park in September 2020. It was the beginning of a chaotic extended wildfire season.  Thick grey smog lay heavy above us. I had brought with me a selection of ceramic beads and sculptural fragments from my studio. We camped in the pines at the foot of a stream cascading over large slabs of granite, pooling in worn blue peanuts. As the sun rose over the quiet campsite, I headed to the stream with my camera and ‘box of bones’ (as later described by a neighboring camper). I collected smoothed pine branches from the edges of the stream, and tufts of wolf lichen that specked the forest floor along my way. In the brightening morning light, the granite appeared ice blue. I collaged together my bones and the body of the mountain, it was play. Later when I looked back at the photos, I thought it seemed as if the rock had shifted, revealing an opening between their planes, lined in lime lichen.

Rosie Brand

Opening

Ceramic, wolf lichen & granite

2020

Rosie Brand

Anna Schwann

Breathing Hot Air from a Hairdryer

Video

2020

Volkan Dinçer
Charlie Kerekes

Volkan Dinçer

Nautilus Glimpses

Mixed media kinetic sculpture

8″ x 4.7″ x 4.7″

2020

Charlie Kerekes

Welcome to My Flower Party (detail)

Wire & air-dry clay

22cm - 24cm

2020

Ioana Mincu Malina

Ioana Mincu Malina

The Four Elements

Ceramic frame & mirror

25cm x 20cm

2020

Victoria Jost
Victoria Jost

Victoria Jost

I was named to dream for others

Video installation (projector, fabric, glue, broom handle)

2020

My dearest enemy. No layer of this rotten sweetness could cover up my feeling for you. In this hateful destiny lies far more love than most will ever experience. The cares of our and all other possibly existing friendships divided the world between good and evil.

My dearest enemy. It is a long forgotten memory that the two of us used to be one. And the fact that we remain still is just a quiet echo in between those small crystals of sugar sticking to the blade that entered our bodies.

Klara Jakes
Ioana Mincu Malina

Klara Jakes

Rotten Sweetness (detail)

Sugar on plaster

2020

Ioana Mincu Malina

Bonds

Ceramic

10cm

2020

Kati Kirsch

Psychogenic Fugue State

Spray paint, real butterfly wings, oil paint, canvas & wood

29″ x 20″ x 1″

2020

Kati Kirsch
Marie Biaudet
Klara Jakes

Marie Biaudet

Biting Slack

Dry watercolor on paper

21cm x 15cm

2020

Klara Jakes

Rotten Sweetness

Sugar on plaster

2020

Bianka Chladek

Sickie Tells It All

Polyethylene foam & eyeshadow pigment

35cm x 25cm x 13cm

2020

Bianka Chladek
Zsófia Jakab

Zsófia Jakab

Skin Fragments (excerpt)

Edited photograph

2020

Sickie, tell it all! 

when you got into a brawl with the void 

how could you not fall inside 

and stay above 

kicking 

as if someone did you wrong 

 

Did she nod at you 

when you passed her by 

now her back is all you see 

when you close your eyes 

and you still gasp 

when it enters through 

a little smudge 

underneath 

gawking at you

Marie Biaudet
Marie Biaudet

Marie Biaudet

Stingering Vases

Stoneware

15cm x 20cm

2020

Marie Biaudet

Biting Slack

Dry watercolor on paper

21cm x 15cm

2020

In those surrealistic landscapes where humans are missing, shapes research their self-government. The soil, flesh-colored, seems almost to be the main character. A prickly world where barren ground takes offense and becomes aggressive in order to survive. Vegetable shapes try to bounce back, and sometimes sculptural forms are born, barely knowing if they are alive or statufied. The atmosphere transformed, making elements float, like little planets or spheres waiting to hatch out. 

Marie Biaudet
Rosie Brand

Rosie Brand

Inverse Opening

Ceramic, wolf lichen & granite

2020

Aina Monzó

Aina Monzó

Laboria's Apartment (detail)

Bread dough & salt

30cm x 35cm x 37cm

2020

Kati Kirsch

Kati Kirsch

Psychogenic Fugue State (detail)

Spray paint, real butterfly wings, oil paint, canvas & wood

29″ x 20″ x 1″

2020

Anna Fiedler

Evergreen

Acrylic, cotton & oak

84cm x 54cm

2020

Anna Fiedler
Stop Motion by Ioana Mincu Malina
Play Video

Ioana Mincu Malina

Stop Motion

Video containing mixed media

2020

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